"Baal", by Bertolt Brecht incisive analysis of the play

        On Thursday, November 7, I saw a performance of Baal, clear verbally by Bertolt Brecht and directed by Evan Parry. The play was non an ruttish play, but an intellectual play. It caused the viewer to think nearly the existentialist nature of Brechts writing and the underlying meaning of the play. Although I perk up studied existentialism and followed the play intently, I still could not fully understand what Brecht was trying to study through Baal. My interpreting is that Baal represents man and his desires and what those desires can lead to.         At the beginning of the play, Baal is in good spirits and loved by all. He has doors move over to him; he is asked to publish his metrical composition and sing his songs at a bar. Through the play, his life little by little becomes worse because he drinks as well as lots and has many girlfriends. People start to detest him and he loses his apartment. thusly more and more people start to dislike him and he moves from job to job and location to location with nada but Ekart to see him through. But then he realizes that he is at long last in love - with Ekart, but she doesnt love him and makes it manifest by having other men and women in her life. So, Baal kills her since he cant aim her for his own.

By the end, Baal has nothing but himself to blame for his condition. His drinking puzzle and his chore of seducing e actually woman he meets drives him to his death, and causes everyone to repudiate him.         The performing ranged from not-so-great to very good. The only problem was that since not all the actors label were u! sed, it was sticky to figure out who was who in most cases.         Baal, compete by Robert Seay, was in... If you want to get a full essay, prescribe it on our website: OrderCustomPaper.com

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