Symbols and Symbolism in Keseys One Flew Over the Cuckoos Nest :: One Flew Over Cuckoos Nest

Symbolism in One Flew Over The Cuckoos inhabit deal Kesey presents his masterpiece, One Flew Over The Cuckoos Nest, with popular culture symbolism of the 1960s. This strategy helps rouge a vivid picture in the readers mind. Music and surveys of the times be often referred to in the novel. These help to exaggerate the characters and the state of the mental institution. universal culture supplies the music which is used as a recurring bow in the novel. McMurphy dislikes the tape playing in the day room because it represents how the shield is run routinely and without change. McMurphy also uses music to obtain good dealings with the patients. On his first morning in the infirmary, McMurphy is heard singing several(prenominal) verses of The Wagoners Lad Hard livins my pleasure, my moneys my o-o-own, an them that dont like me, they can leave me alone (Kesey 93 ). In this scene, he sings to express his good spirits (Twayne). Later, in the hall, as one of the aides goes to talk t o the angry Big Nurse, McMurphy whistles, with an illusion to the Globetrotters, sugariness Georgia Brown as an amusing accompaniment to the aides evasive merge (Sherwood 399). After shocking Nurse Ratched with his whale shorts, he accompanies her retreat to the Nurses rate with the song The Roving Gambler to establish his style, define his character, and show his nonchalance to policy She took me to her parlor, and coooo-ooled me with her fan- I can hear the whack as he slaps his bare belly - whispered low in her mammas ear, I lu-uhvve that gamblin public (Kesey 97). The cartoon symbolism demonstrated in One Flew Over The Cuckoos Nest helps create dynamic features and traits in each character. Bromden indicates early that the ward is give care a cartoon world, where the figures are flat and outlined in black, anserine through some kind of goofy story that might be real funny if it werent for the cartoon figures being real guys...( 31). Technicians in the hospital speak with voices that are forced and too quick on the riposte to be real talk - more like cartoon harlequinade speech (33). Kesey chooses to describe some of his characters as symbolic caricatures, and others as occupation figures who outgrow their black outlines (Twayne). The Big Nurse remains a cartoon villain, funny in her excessive frustration and hateful in her manipulations towards the patients.